![]() The Tamron delivers when it comes to resolution. Wildlife photographers almost always prefer to have more reach, and good wildlife photos depend on clarity and detail to a slightly higher degree. Photographing Birds and Wildlife with the Tamron 150-500mm f/5-6.7 Lensīeyond autofocus performance, wildlife photography has a couple of additional considerations that are not as important for sports. Both lenses are faster than the Sigma 150-600mm “Contemporary” lens that I’ve tested in the past on Canon EF mount. The Tamron is at least as good as the Sony 200-600mm in terms of AF speed and accuracy, and resolution and sharpness are excellent. Verdict for Sports: Very Good, if you have the light. In these situations, I often struggle to get 1/1000th second at f/2.8 and ISO 6400, and losing 2 to 2.5 stops of light would bring that down to only 1/250th to 1/180th second, which will not stop action, generally… though if you push your ISO to 25600 you’ll have a shot. With the Tamron, I was able to take bursts of 5 to 10 photos of a player running right at me, and the face and eye tracking on my Sony A7RIII kept up easily, giving me a succession of sharp photos I can only imagine that its performance would be improved when coupled with an A9 or A1 camera body.Īt f/6.3 or 6.7, neither lens will be very helpful for shooting sports indoors or under lights at night. Both were fast focusing with excellent resolution, and the 500mm end of the Tamron gave me perfectly sufficient reach for rugby. Matthew Gore The Seattle Seawolves, photographed with the Tamron 150-500mm lens.īoth lenses performed well, though perhaps not quite at the level of a $12,000 prime lens. And it was awesome! If you’re in the Seattle area, you should check them out– they play March through July. ![]() To catch some good, fast moving action, I went to a Seattle Seawolves game. The Tamron 150-500mm Lens for Sports and Wildlifeįor most people, the Tamron 150-500mm lens would be of interest for shooting outdoor sports and wildlife, so I began by testing the lens (along with the Sony 200-600mm) by shooting those two things. ![]() So, does this lens’s size make up for the loss of 100mm of reach? Let’s take a look. When they started developing lenses for Sony E-mount, Tamron made a choice to build lenses that are smaller and lighter than traditional lenses to match the smaller form factor of Sony bodies and meet the public’s desire for smaller camera systems. Tamron’s new 150-500mm f/5-6.7 Di III VC VXD lens is their latest in a long line of popular super-telephoto zoom lenses, but it has a shorter zoom range than their popular 150-600mm lenses for DSLRs. ![]()
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